Spinning Mirror 373 Kennington Road Kennington London SE11 4PT | Office: +61 8 8358 6021 Mobile: +61 409 690 406
  • These  vintage anamorphic lenses feature distinctive flare, skin tones and softness, giving them a unique aesthetic. Not to be mistaken for the Evolution Kowa set, these are the real deal originating from 1970’s Japan. The lightweight, compact and versatile structure of these lenses allow them to be used in a multitude of ways, including handheld, gimbal and aerial applications.
  • The Optimo 24-290mm zoom lens is a high performance 12x zoom lens covering a wide focal length from wide angle at 24mm to telephoto at 290mm. With optics comparable to some of the best prime PL lenses on the market, the Angenieux 24-290mm zoom is perfect for drama, commercial and feature productions.
  • Widely regarded as the best digital cinematography camera on the market, the uncomplicated yet powerful nature of this adaptable camera have made it a favourite on some of the biggest blockbusters and commercials to date. In addition to recording up to 120fps at 2k, our ARRIRAW package comes complete with 512GB Codex XR Capture drives to record full uncompressed ARRIRAW at 4k. Both spherical and anamorphic lenses are catered for within one package, opening your production up to a wide array of the best glass around. The ALEXA Plus offers enhanced features including integrated wireless remote control & support for ARRI Lens Data System (LDS), allowing easier and less cluttered lens control, streamlining your shooting process.
  • ARRI’s WCU-4 hand unit pairs up seamlessly with C-Motion’s CForce motors to create one of the most reliable, lightweight and compact wireless lens control units available. Our kit comes fully equipped with the AMC-1 brain and a range of mounting and power options for use with all cinema cameras, though the WCU-4 really shines when used alongside our Alexa Mini packages. Allowing full camera and lens control from one integrated handset and utilising ARRI’s built-in motor control through the camera body, this set-up is a favourite of Steadicam and MoVi operators. Vibrating markers that the ARRI WCU-4 features allow you to keep an eye on the action, knowing you’ll be able to hit your mark first time, every time.
  • Zeiss Ultra Primes are a world-renowned set of high-end cine primes. A Lightweight and high-quality series of lenses with an impressively fast aperture, close focus and focal range. These lenses have become the go-to optics for many TV dramas, promos, features and high-end corporates due to their superior build quality and optical look. These lenses are also a perfect optical match to Master Primes
  • Spinning mirror has custom built a PL mount fully removing the EF mount, Adding a OLPF and the Hollywood PL mount.......Blackmagic Pocket Cinema Camera is better than a simple video camera because it has professional features allowing you to create the same "look" as Hollywood feature films. The combination of high dynamic range, great low light performance and Blackmagic RAW gives you feature film images with precise skin tones and gorgeous organic colors. You get advanced features such as 4K or 6K models, large 5" LCD for easy focus, SD card and CFast media, external USB‑C media disk recording, EF or MFT lens mounts and more! DaVinci Resolve Studio is also included for editing, color correction, audio post and VFX! Spinning mirror has custom built a PL mount fully removing the EF mount,  Adding a OLPF and the Hollywood PL mount
  • Cooke S4i lenses are one of the most popular prime lens choices for both film & digital cinematography applications. They are compact in size, feature the coveted ‘Cooke Look’ aesthetic and benefit from a consistent T2 aperture across the S4/i range. Our standard 6-way set includes the essential focal lengths in the Cooke S4i range. All lenses in the set have the latest i/ Technology metadata interface which can be used to record lens parameters such as focusing distance, aperture, focal length and the serial number. All lenses in the set are fitted with Imperial focus scales. We also stock other individual lenses in the S4/i range including the 12mm.
  • RED’s original compact 6K digital cinema camera – the RED Epic Dragon. Boasting an upgraded & enhanced sensor, the Dragon records in RAW format up to 6K (19 megapixel) resolution, has an impressive 16.5 stops of dynamic range and can achieve 100fps at 6K or up to 300fps at 2K. We stock a wide array of accessories and lens mounts for the RED Dragon, allowing you to choose from an extensive list of lenses and grip to build a bespoke Epic Dragon shooting package.
  • Make the most of your next production by using the RED Epic-W’s 8K Helium sensor for bigger, better pictures. The additional resolution is particularly useful when shooting plates for use in 360/VR projects, or for use in productions where image manipulation is key. Our Epic-W packages come with a wide selection of accessories, batteries and media so you’re able to shoot just as easily in the field as in the studio. In addition to RED’s native REDCODE RAW, the Epic-W is capable of generating simultaneous 4K Apple ProRes or Avid DNxHR/HD proxies, streamlining the post-production process and giving you the ability to ingest footage for editing far quicker than with previous RED cameras. Get in touch to book a test in-house with our technical and post-production team.
  • eiss Super Speeds are high-quality, fast PL-mounted lenses perfect for all 35mm film and digital cinematography cameras. Featuring a very compact mechanical and optical design, they are also well suited for handheld  & gimbal filming. These are the MKIII variant of Super Speed lenses and date from the 1980s era. A popular choice for DoPs looking to shoot in low light conditions without ramping the camera ISO setting.